![]() Optional monthly challenges where members participate to get feedback on their playing, reach new milestones and be eligible for cool prizes.Massive searchable database of jazz licks and soloing concepts - the ultimate idea "grab bag" for your solos.Replays of all sessions are available to access for all members even if you can’t make it live. Regular workshops, masterclasses, and Q & A Sessions - get direct answers from me on anything holding you back in the practice room.Members only forum - A worldwide community of jazz guitarists from all around the globe.Lessons on how to make chord melody and solo jazz guitar versions of tunes featured - play a complete jazz standard completely on your own like Joe Pass!. ![]() Detailed comping ideas to suit the style of each jazz standard covered.Key improvisation concepts and techniques for soloing, and classic licks and example solos that relate to each tune, so you can continue to expand your jazz vocabulary and have more options when it comes to soloing. ![]() Includes listening recommendations, demonstrations of the melody, analysis of the harmony, and detailed explanations on how to solo over the tune. Detailed step-by-step video lessons on new classic jazz tunes and essential jazz guitar skills added to the club website each month.If you're keen to have a structured, step-by-step approach to learning jazz guitar, it might be worth checking out my online learning system, the FretDojo Jazz Guitar Academy. If you haven’t already, check out my interview with Howard Alden at the link below as today’s tip was just one of a truckload of practice techniques he talks about that every jazz guitarist should be aware of:Ĭlick here to listen to the interview with Howard Alden now.Īnd while you’re at it, leave a comment below to let me know what you thought about this simple, but incredibly important practice tip I’ve shared with you today. You’ll no longer be responding to cues from backing tracks – your own creative impulses will be the driving force. Once you have a strong internal feel for the changes, you can then start to be much more creative with both your phrasing and rhythm. Practicing single line soloing or melodies by yourself, and on your own, can do wonders for developing your inner sense of the music. If you’ve used backing tracks a lot up till now, it can feel strange and kind of… ‘naked’ to do this. So, put away dem backing tracks for a little while. Likewise, your rhythm feel will be propped up by the backing track as well, and your internal sense of rhythm will never develop. Similarly, if you use backing tracks to practice along with all the time, your ears will always subtly be responding to the cues of the chord changes on the track, rather than hearing them internally. Sure, you’ll get the thing you were looking for, but in terms of your fitness? Not that good. It’s the same kind of thing as driving a couple of blocks down to your local store to pick up a few things, instead of walking. You see, backing tracks are kind of like a ‘crutch’. Unless you’re trying to play jazz guitar solo, having some sort of backing track to play along with would help prepare you for playing with other musicians at a gig. Too often, players get into the trap of using some sort of backing track any time they go to practice. I think this is one of the best pieces of advice you are ever going to hear to improve your jazz playing. This will build your internal sense of rhythm.” Do this even if you’re just doing some single line soloing or playing a melody. ![]() “Spend some time playing without backing tracks, without even a metronome. Last week I was editing together the recent interview I conducted with jazz guitar superstar Howard Alden, when something he said really stuck out at me:
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